Showing posts with label Lauryn. Show all posts
Showing posts with label Lauryn. Show all posts

Sunday, December 4, 2011

The Top 5 Best Lauryn Hill Songs, And Why

Despite her recent shenanigans, Lauryn Hill remains one of the most important female artists of all time. From her early beginnings as a member of the multi-platinum selling group The Fugees, to solo success with "The Miseducation of Lauryn Hill", her music has inspired millions and has shaped the face of true hip-hop soul. During a recent conversation among friends I was asked a question that really got me thinking: "what are Lauryn Hill's best songs"?

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Here's what I came up with...

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5. Fu-gee-La

This is the very first song I heard featuring Lauryn Hill. I became an instant fan after hearing her effortlessly transition from rhyming to invoking Teena Marie on the hook. Her lyrics were highly intelligent yet had a certain accessibility that enraptured people who wouldn't normally listen to hip-hop music

My favorite line: "I'm super fly when I'm super high on that Fu-gee-la"

4. Killing Me Softly

This song was a massive hit for the Fugees for it peaked at #2 on the Billboard charts. Lauryn's silky smooth interpretation almost made me forget that it was a cover of an r&b classic.

3. Lost Ones

Off of her solo debut "miseducation', Lost Ones is widely perceived as a frontal attack on ex-Fugee members Wyclef and Pras. Her vitriolic flow and lyrical dexterity made this an instant hip-hop classic.

My favorite line: "It's funny how money change a situation, miscommunication leads to complication"

2. Doo Wop (that thing)

This was the breakout single for Lauryn Hill the solo artist, as it reached #1 on the Billboard Hot 100 list. Doo Wop is a song calling out the trifling behavior of both men and women as it pertains to their relationships with one another. Both brutally honest and entertaining, Doo Wop continues to get heavy rotation on my iPod.

My favorite line: "How you gon' win when you ain't right within"?

1. To Zion

To Zion is arguably the most poignant and heartfelt song of Lauryn Hill's career. Assisted by the haunting Spanish guitar of rock legend Carlos Santana, Lauryn pours her heart out over the decision she made to have her first child despite the prodding of those around her to abort the pregnancy in favor of her career. It is as beautiful as it is inspiring.

My favorite line: "For I know that a gift so great, is only one God could create and I'm reminded every time I see your face".

The Top 5 Best Lauryn Hill Songs, And Why

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Thursday, December 1, 2011

Lauryn Hill "Miseducation Of Lauryn Hill" R & B Music CD Review

I can describe the latest release from R & B sensation Lauryn Hill for you with just one word... Outstanding!

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Lauryn Hill has been a super star in the R & B genre for quite a while now and Miseducation Of Lauryn Hill is an excellent illustration as to why.

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One of the refreshingly nice things about this CD is the way all of the participating artists seem to be really enjoying themselves. Combine that with the overall presentation and you've got one of Lauryn Hill's most impressive releases ever.

If you're even mildly into R & B music you'll enjoy this album. Overall Miseducation Of Lauryn Hill is an outstanding release. I give it my double thumbs up. You will not be disappointed with one single track.

While the entire album is outstanding the truly standout tunes are Superstar [track 6], Final Hour [track 7], and Sweetest Thing [track 16].

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 10, Forgive Them Father. Wow!

Miseducation Of Lauryn Hill Release Notes:

Lauryn Hill originally released Miseducation Of Lauryn Hill on Aug 25, 1998 on the Columbia label.

CD Track List Follows:

Intro Lost Ones Ex-Factor To Zion - (featuring Carlos Santana) Doo Wop (That Thing) Superstar Final Hour When It Hurts So Bad I Used To Love Him - (featuring Mary J. Blige) Forgive Them Father Every Ghetto, Every City Nothing Even Matters - (featuring D'Angelo) Everything Is Everything The Miseducation Of Lauryn Hill Can't Take My Eyes Off Of You - (hidden track) Sweetest Thing - (Mahogany mix, hidden track)

Personnel includes: Lauryn Hill, Mary J. Blige, D'Angelo (vocals); Carlos Santana, Johari Newton, Robert Browne, Earl Chinna-Smith (guitar); Grace Paradise (harp); Dean Frasier (saxophone); Everol Ray (trumpet); Nambo Robinson (trombone); Tejumold Newton, John R. Stephens, Joe Wilson (piano); James Poyser (organ, Fender Rhodes, synthesizer bass, background vocals); Chris Meredith, Tom Barney, Matthew Rubano, Paul Fakhourie (bass); Jared "Chocolate" Crawford (drums); Ruby Byrd (percussion); Vada Nobles, Che Guevara (drum programming); Sabrina Johnston, Earl Robinson, Andrea Simmons, Kenny Bobien, Eddie Stockley, Jenni Fujita, Chuck Young, Rasheem "Kilo" Pugh, Fundisha Johnson, Lenesha Randolph, Ahmed Wallace (background vocals). Engineers include: Tony Prendatt, Commissioner Gordon, Warren Riker.

Lauryn Hill "Miseducation Of Lauryn Hill" R & B Music CD Review

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Monday, October 3, 2011

The Prophetic Life of Lauryn Hill

Keep in mind that it is not honorable by worldly standards to be a prophet. Prophets speak God's mind to people who usually don't want to hear it, so their presence is oftentimes not welcome. Prophets are not perfect, not without sin and, since they speak God's Spirit-based truth, they needn't be particularly eloquent or intellectually savvy either. As with every other area of God's kingdom, He uses unexpected people to convey His spiritual realities.

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Religious experts would like to think that prophets possess a super-spiritual glow while they make lots of dramatic gestures as in Michelangelo's paintings. But that is much too impractical. Prophetic people, as well as anyone else God uses, are regular people, intended by God to fill a practical, spiritual purpose.

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With Hill's first album, The Miseducation of Lauryn Hill, she communicated a variety of spiritual truth by a means that people could understand: Music. This is prophetic. One particular track, "To Zion," illustrates a powerful parallel between her own potentially "inconvenient" pregnancy and the pregnancy of Mary with Jesus, which was certainly inconvenient. According to the song, this pregnancy could not have helped Hill's career, but she kept the baby anyway and named him "Zion." Zion embodies salvation and hope in the minds of Jewish people, who are God's people. Hill trusted God with her pregnancy and God worked out her circumstances for something greater than she previously imagined. Mary trusted God and He worked it out for the salvation of the whole world.

Other songs on Hill's Miseducation album touch on godly themes as well, especially the last track, which quoted First Corinthians chapter 13 almost word for word.

The Miseducation of Lauryn Hill sold millions and millions and won her like hundred Grammies (or at least more than anyone else had ever gotten at one time). In other words, whether or not people absorbed any spiritual truth, they certainly had ample opportunity. This is also prophetic. God oftentimes makes prophetic truth widely available, though discernable to only a few.

After this major success, at a time when people were expecting Hill to bask in the sunlight of her fame and fortune, she made an unexpected departure from the public arena. The same Truth she had been trying so hard to express led her to rethink a few things.

A few years later Hill made an appearance on MTV's Unplugged, a show/recording session where artists come to play mostly acoustic versions of their songs. In this case Hill brought about two new CDs worth of songs, all the material God had been revealing to her for the last few years. The double-disc recording of the event (the same version that sold at least a million copies) offers both songs as well as her mid-song monologues, where she talks extensively about God. At the beginning of the performance she speaks in spiritual generalities until the end when she talks more blatantly about spiritual realities than I would have ever expected to hear on MTV. So, here again, Hill used the means she had available to her to convey spiritual truth.

Later Lauryn Hill recorded the track, "Selah," which is the name of another of her children. The chorus of the song explains that "Selah" means "praise and meditation," which sums up her relationship to God at that time. This is also prophetic. Throughout the Bible people name their children according to whatever God is doing or going to do, in particular the prophets (Hosea and Isaiah).

The word "Selah" is scattered throughout many of the biblical Psalms to separate one stanza, or stream of thought, from another. Interestingly, Hill's song closely resembles both the structure and spirit of the Psalms. In this new Psalm she weaves truth, experience and revelation together into a God-honoring masterpiece. God orchestrated a convergence of life-development in just the right moment to bring this about. That particular song made its appearance through a major motion picture and its subsequent soundtrack. Again, Hill used her influence as a mainstream artist to convey spiritual truth.

Back in 2003, at the height of the Catholic church's pedophile scandal/cover-up, Hill accepted an invitation to perform at the Vatican. After setting up on stage, she took the opportunity to publicly rebuke Catholic church-leaders for ruining people's lives and then trying to cover up the fact. She called them out on their destructive behavior in front of thousands of stunned onlookers and then went on to finish her performance. It made sense to her to speak the truth. Meanwhile a more politically-minded Vatican spokesman dismissed her actions as "in bad taste." She expressed plain truth to a group of stubborn religious leaders in a way they could not ignore. This is also prophetic.

by Patrick Roberts. Find his book and additional resources at www.BooksByPatrick.com

The Prophetic Life of Lauryn Hill

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